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The Invisible Man (9)
Project: Television mini-series (“Wells”)
Known as: The Invisible Man
Real name: Unknown (called “Griffin”)
Group affiliation: None
Physical description: Before he made his deal, Griffin was a dirty, scraggly young man. Rotted teeth, (presumably) dark, greasy hair, with a skeletal frame from too many missed meals. After his dealwell, who knows?
History: The man who would eventually be known as Griffin was born to a farming family in England in the mid-1800s. From the beginning he was a horrid child. The lying began very nearly after he learned to speak. He could be overly ingratiating to his parents, only to turn on a dime and belittle them viciously. The only thing that brought him joy was the suffering of others (even a simple story of someone tripping and falling made him titter creepily). Animals began disappearing, and one day his father found one of the family’s mousers mutilated and reshaped in a deliberate way. When a neighbor’s barn burned down, his parents became frightened of him.
His parents tried various forms of punishment and religious intervention but reached a point where for the good of their community and themselves “Griffin” had to go. At age 11 they took him to London and abandoned him. They cursed themselves for a lacking the courage to kill him and waited for the day that he would return to the farm and enact his revenge. Fortunately for them the day never came, as the boy turned out to be a natural for the life of a street urchin. London at the time had a great deal of suffering for him to enjoy and his skills as a liar and manipulator served him well. He was gifted at using weaker children to take the bigger risks in thieving and skullduggery, and as he had no qualms about abandoning them to their fates he avoided any major attention from the law.
This was his existence for many years until he met a sort of kindred spirit. Creatures from other planes of existence were very rare at that time in London but there was at least one who had disguised himself as an old man- Mr. Scratch. Mr. Scratch had been sealed from his home dimension by a rival and found himself trapped on our plane. It was a wretched existence as he was near immortal but unable to return home.
Beyond immortality, his people possessed one notable power. His people had been visiting the earth plane as their magics were such that they could empower humans with tremendous gifts, but with a substantial limitation. You see, they were the source of the belief that one could sell one’s soul for power. This conclusion was drawn from the fact that those handful of people so empowered (evil witches and the like) seemed devoid of souls evil incarnate. Thus the conclusion that these individuals had earned their power through trading their souls.
In truth these devils’ ability to empower humans was gated by the conscious and empathy of the person. It is these qualities that bind a person most strongly to humanity. These devils lack the power to change humanity, only a human. So those they could affect most profoundly were those humans who were truly disconnected from humanity lacking a conscious and empathy.
Fortunately, these types of people are relatively rare. Furthermore, beings of magical power on Earth cared little for the “devils” and banished the devils on sight if they could. In fact, Mr. Scratch had run afoul of Wells on a few occasions (including a few imprisonments of Scratch yet devils are hard to keep). The rival’s seal also prevented Wells from banishing Scratch, and part of Well’s motivation for seeking more magic was to overcome this limitation. Wells felt it was inevitable that Scratch would one day find a truly evil person and, through that person, cause misery and mischief.
Scratch indeed found such a person in the young (now) man. In fact, an unparalleled candidate. Though Scratch could have transformed the man into something akin to a god, Scratch’s needs at that moment were simpler. He knew of a place that housed and protected a menagerie of the last few magical creatures in England, including a griffin. It is well known that no one can hold a griffin anywhere against its will, so Scratch knew the blood of such a creature could allow him to return home. Scratch himself lacked the means to get past the guardians undetected, but he could empower the young man to do so.
And so Scratch and the man reached a pact. Scratch would change the man so no one could perceive him. Not “invisible” per se, but magically prevented from being registered by the minds of others. This would allow the man to pass the guardians and wait for an opportunity to bleed the poor, old griffin. If the man delivered the blood to Scratch, Scratch would make the change permanent.
The man, for his part, could imagine no better gift. He could indulge his every impulse with no chance of consequences. So he completed his part of the bargain (little knowing that Scratch could not have undone the change if he wanted to).
Scratch did indeed return home. But not before he wrote a final letter to Wells exalting his victory. Never learning the man’s name, Scratch further twisted the knife by naming him “Griffin” in the letter. Wells knew his enemy was now beyond his reach, but not before his enemy had made one of the evilest men in history completely undetectable.
Wells made “The Invisible Man” the first science fiction story he wrote to begin to bind magic and science. He opted for this being his first experiment reasoning that if his spellwork failed it might still have some consequence to Griffin.
And it did. Mystically bound to Wells, Griffin came forward in time with Wells. Now Wells has loosed an unseen evil on 2018.
Role in the narrative/abilities: Griffin gets the whole thing started. Though surprised by his change in circumstances, he soon reverts to form and kills someone on the street by impulse. This ends up a case Morgan is investigating. It’s a bizarre one, though eyewitnesses claim the victim suddenly died with no explanation, but a traffic camera grainy images of the perpetrator. Griffin’s powers, you see, affect the mind/perception. So in modern times he can be captured digitally.
Furthermore, Griffin’s abilities have a limited range he has to be a certain distance from you in order for you to be affected. In times past, this made him completely undetectable (if he is too far away, you couldn’t detected him due to your sensory limits; if he was close enough for your senses, his power prevents your mind from perceiving him).
This sets up some interesting mysteries and possibilities for creepiness. You might think you could use your phone camera to detect Griffin yet if he is close enough your mind will fail to perceive his image on the camera (even though the camera is still displaying it). If you were in a building with security cameras, you could watch him on those cameras until he got close to you (at which point, for you, he would just vanish though he would appear on the recording if it were reviewed later with him out of range).
Again, as I conceive the story, you would not get any of these details right away. Instead Morgan would be reviewing the evidence, including the pictures of the crime scene. Griffin would move close to her, and his image would vanish from the picture. When she shares this with others, he is again out of range and in the picture. It will be Morgan’s first evidence that something truly strange is going on and would ultimately lead her to Wells (in some way I haven’t figured out maybe Wells reads a “cop goes crazy” story).
Remember he is undetectable and your mind is working to make it so. Thus if he picks something up, you might perceive the item as not having moved or vanishing (a floating thing would give you a sense that he is in a specific place). So he doesn’t have to go around naked, and he won’t be found by a trick like footprints in the snow (as he was in HG Wells’ original story).
Another detail. There is one thing about Griffin that is detectable his voice. So he can talk to people (and mostly does so to be cruel). The listener can’t localize the sound of his voice it seems to come from all around. He still sometimes titters uncontrollably if something amuses him (such as the misfortune of someone else). If this was done on TV in a skillful way (more skill than I have) I think it would be pretty unnerving.
BTW, Griffin would be a primary antagonist in the series. Evil dude doing horrible things, and hard to catch. About the worst thing that could happen to justice-minded Morgan.
Inspirations: Man did H G Wells have a fabulous idea with the Invisible Man. He has become a staple of horror (what is creepier than something you can’t see meaning you harm? Wells created a scifi ghost story). In the story, Griffin (a doctor who studies optics and the refractive index of things) is a doctor who creates a formula to turn things invisible. In his excitement, he turns himself invisible before he has created a cure (oops!). Griffin was never a good person, but he goes quite bonkers when incurably invisible.
I liked that Griffin was not a great person to start with (in many versions, including the famous Universal film, he was made more sympathetic). Though from time to time any number of us might have wanted to be invisible for a brief period of time, my invisible man is happy to be undetectable by anyone permanently. In my mind, it would take a pretty twisted soul to want that (there is an episode of Black Mirror where a man is punished by being rendered “invisible” to everyone else).
Following my theme, my invisible man has supernatural origins. I like to think that some of the original readers of Wells’ work found the whole thing plausible (“good golly that could happen!”). But it is all pretty silly science today (e.g., people don’t have a single refractive index; if the invisible man successfully bent light around him he himself would be unable to see, etc.). Plus as noted above I think there are some interesting plot twists it enables.
Final note this one kind of got away from me as a 100 day project. I hadn’t even really thought of the specifics of Scratch when I started writing this (I should have made him a separate character profile). Also I’m struggling to limit myself to a character profile when the concepts I like about this have to do with plot. The result above is that I gave both too much detail and not enough.